They bring the outside back in, where it’s been germinating all along, allowing those undesirable fumes to commingle with compositional order and play with randomness and diversity in interesting, dynamic ways.
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In this sense, society operates on the level of infomercial: a big, dumb, never-ending promise that things in life are great and only getting better.Īlthough the world continues fundamentally to resist noise and other crude exacerbating factors, many of my favorite composers and thinkers work against this grain.
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When you’re buying headphones, the salesperson isn’t like, “Remember, you might encounter mosquitoes, sirens and wind on a daily basis while using these.” It’s insinuated in the very nature of being here that we will suffer, but the salesperson’s perspective is pain-free. Like a sociopath, the world is always selling us an idea of itself. It is, in my opinion, an unsympathetic world we live in - sometimes horrific, though mostly just tedious in ways we tend to tolerate. The world is very vain: obsessed with symmetry, success, the utility of effective things. The world, without any kind of psychedelic interjection, insists on repressing its strangeness so that it can maintain its clean self-image. So we’re celebrating some of the biggest records of the year with insightful pieces written by some very special people: musicians. The year 2015 yielded a truly eclectic and impressive crop of outstanding albums spanning all genres and generations of artists, from Justin Bieber to Sleater-Kinney to Madonna.